The Story Behind Mimi Rogers’ “Crooked Mouth”

Mimi Rogers opens about the beauty of aging.

Many have observed that Mimi Rogers, much like Milo Ventimiglia and his notable mouth, has a distinct jawline that appears slightly crooked or lopsided.

This characteristic feature has been a part of her appearance throughout her career, evident in numerous television shows dating back to the early 1980s.

Contrary to what some might speculate, Rogers has confirmed that this is her natural look and that she has not undergone any plastic surgery to alter her appearance.

She embraces her features, aging naturally without cosmetic alterations, and has been quoted saying, “This is me, this is my face.”

In an interview with the LA Times, she expressed her disdain for the societal obsession with youth and the fear of aging, stating, “This is me, this is my face,” and affirming her rejection of cosmetic surgery like overdone lip fillers.

Known for her role as Honey Chandler, a powerful attorney in “Bosch” and “Bosch: Legacy,” she’s lauded for her natural aging in a field where many succumb to drastic cosmetic changes.

Rogers reached out to discuss the manipulation of energy markets after an article on utility price gouging, which led to a broader conversation about ageism, societal pressures on women to look young, and the double standards for men.

She criticized the “plastic surgery nightmares” prevalent around her and voiced concern over the discrimination based on race, gender, and age that is rampant in Hollywood. Catherine Clinch of the Writers Guild of America West agreed, noting the particular difficulties older writers face in the industry.

Despite the challenges, Rogers feels fortunate to consistently find roles as she ages and appreciates the more complex characters available to older actors, especially in the era of quality streaming content.

However, she acknowledges the persistent biases and double standards, citing examples like Cary Grant’s on-screen relationships with much younger women and the broader invisibility of older women in media and society.

Susan J. Douglas, a cultural critic from the University of Michigan, supports Rogers’s stance, noting a “visibility revolt” against ageist stereotypes, with actresses like Judi Dench and Helen Mirren leading the way in film and TV.

Yet, many women face a punishing dilemma: aging naturally can threaten their livelihood, but too much cosmetic surgery leads to criticism for trying to cling to youth. Douglas calls the pervasive marketing of anti-aging products to even younger demographics a “brilliant campaign” of the anti-aging industrial complex.

Rogers personally shares her experiences with minor treatments like Botox for a drooping eye but insists on maintaining her natural wrinkles and expressions, emphasizing the need for authenticity.

She criticizes the obsessive pursuit of youth that leads to unnatural and unrecognizable results, reflecting on the broader societal implications of such an anti-aging crusade.

As authors like Dr. Louise Aronson point out, the pursuit of perpetual youth often leads to grotesque outcomes, illustrating the conflict between the desire for eternal youth and the reality of aging.

As an actress known for her work and also as the ex-wife of Tom Cruise, Rogers’s approach to her looks in an industry often focused on perfection is a refreshing stance on natural beauty and self-acceptance.

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